Cassette Gods
Issue #4
I remember the
first time I heard a poorly recorded cassette transferred to CDr. I thought it
was really fucking funny... or actually, really compelling. The sound of a song
warbling from poor magnetism or hiss riding over a low recordings and cymbals
shattering into analogue red peak... all being captured on a cdr. Yes, I was laughing
out loud with that particular type of joy that a goldminer has when striking
gold, or the scientists that found the cure for AIDS years ago had (shortly
before being murdered by the US government). What I mean is, the first
time I heard a shitty cassette put onto a cdr was a very pivotal and happy
moment for me as a musician. For the first time I had empirical evidence that
cassettes were more than a clumsy format, but a true medium begging to be worked
with by artistic hands. Don't get me wrong, even at that tender age I was
aware of the long history of magnetic tape manipulation as musical instrument.
I'm making a distinction though between instrument and medium though... I'm
talking about the difference between drawing a hot sports car in graphite and
painting a hot sports car in airbrush. If the same artist made both, you
probably could tell that they were both made by the same hand... and obviously
they'd both be hot sports cars. But the tone and atmosphere surrounding each
work would still be distinctly different.
When it comes to working with the cassette medium, there is more than just the 2
sides/variable length/portability issues that are important. The fidelity is
shaping the listener's experience in a way that is not just textural, but
essential, emotional, and psychological. While tapes that have ultra-crisp
fidelity are a miracle to behold, it is the ones that somehow find success as
murky mush plops that excite me the most. I'm not saying this an excuse
for people to put out crappy tapes. Never! But there just happen to be some acts
that work well with some added mystery, some "fuck being clean cut," some
confusion, some nasty distortion! These are the golden characteristics of the
cassette medium. This is the reason that cassettes were doomed as a major label
medium. This is why I'm hot. Or perhaps I'm just leading into the Transitory
Magnetism piece??? Only my html editor knows for sure.
- Brian Miller